Can you use the Film Room for pole vault?
Partly, and the part it cannot do is most of the vault, which is worth knowing before you rely on it.
The event picker used to say "High jump / vault". Since 15 September 2026 it says "High jump", and the event list says in plain words that pole vault is not analysed. The reason is the same either way: the analyser reads the athlete's body. It does not read the pole.
What it can see
Picking the high jump setting for a vault clip gets you three measurements from a side-on clip: how far the hips rise as a share of the athlete's height, the takeoff angle, and knee fold and extension. Those are real numbers about a real takeoff, and they are worth having for the plant: a vault takeoff is still a takeoff, and an athlete who is collapsing at the plant will show it there.
The approach is the other half, and for that the sprint setting is more useful than the high jump one. A vault run-up is sprinting with an awkward object in your hands, and the sprint setting will tell you whether the athlete is braking on the last few steps, whether the trunk is folding, and what the knee fold looks like when they are carrying a pole. Two clips of the same attempt, analysed under two settings, will tell you more than either alone.
What it cannot see, which is most of a vault
- The pole itself: grip height, how much it bends, when it starts to bend, and whether it is the right stiffness for the athlete.
- Plant timing relative to the takeoff foot, which is the thing most vaults are actually won and lost on.
- Everything after takeoff: the swing, the rockback, the turn and the push off the top.
- The box, the standards, and the bar.
That is not a short list, and it is not a roadmap either. This is a pose analyser working from one phone camera, and the parts of a vault it misses are the parts a coach's eye and a slow-motion replay are already good at.
One thing to watch out for
One thing to know about the drills. The event's list is high jump drills (short-approach scissors over a low bar, five-step curve runs with no bar), and both are built around a curved approach, which a vaulter does not run. The app will hand them to you: it treats a takeoff angle under about 30 degrees, or hips that rise less than about 15 per cent of body height, as faults worth a drill. Those floors sit so far below what a real clearance produces that on a vault they mostly catch a failed attempt or a clip that cut off the flight. When they do fire, read what arrives as high jump drills, because that is what they are.
So: useful for the run-up and the takeoff, blind to the pole. If a vault coach wants a tool for grip height and pole selection, this is not it, and no amount of pointing a phone at the runway will make it one.
Time your next meet with the phones you already have
Timing, the Film Room and the speed gates are free forever, with no account. A Club plan, $71 a month, puts your meets on your own results page, and one plan covers every phone.
Related
Can the Film Room tell you how high your jumper actually cleared?
The high jump setting reports hip rise and takeoff angle, not centimetres off the bar, and the reason is worth knowing before you expect the other thing.
Read →Why your high jumper knocks the bar off on the way down
Legs taking the bar after the hips have cleared is a timing fault at the top, and usually a takeoff point that drifted before it.
Read →Does arm drive matter in the high jump?
It matters at the margin, and it is one of the few things happening at takeoff that the Film Room genuinely does not measure.
Read →